alternativni način života i otpor svakodnevnih, alternativni oblici obrazovanja
avantgarda, neoavantgarda
cenzura
demokratska opozicija društveni pokreti državni nadzor
emigracija/ izgnanstvo
etnički pokreti
film filozofski/ teorijski pokreti
književnost i književna kritika kritička nauka
likovna umetnost
manjinski pokreti medijska umetnost
mirovni pokreti muzika nacionalni pokreti narodna kultura
naučna kritika
nezavisno novinarstvo
pokret za ljudska prava
popularna kultura
preživjeli progona pod autoritarnim / totalitarnim režimima
prigovarači savesti
religiozni aktivizam
samizdat and tamizdat stranački disidenti
studentski pokret
theatre and Performing Arts underground culture
visual arts
women’s movement
youth culture zaštita prirode
artefakti
drugi drugi umetnički radovi
film
fotografije
grafika memorabilija
muzički snimci
nacrt i karikature
nameštaj
odeća
oprema
pravna i/ili financijska dokumentacjia predmeti primenjene umetnosti
publikacije rukopisi siva literatura
skulpture
slike
snimanje glasa
video snimci
The establishment of the Béla Balázs Studio was initiated by young film professionals in 1959, but it was officially founded only in 1961. It served as a training studio for freshly graduated filmmakers, where they could make films that were not produced to be screened. Through its board, which consisted of elected members of the Studio, the BBS enjoyed partial autonomy over the redistribution of the yearly budget. Beginning in the 1970s, they started to involve “outsiders” in the activities of the studio, which became increasingly marked by two parallel tendencies: engaged forms of documentary and experimental analysis of the language of cinematography.