alternativni način života i otpor svakodnevnih, alternativni oblici obrazovanja
avantgarda, neoavantgarda
cenzura
demokratska opozicija društveni pokreti državni nadzor
emigracija/ izgnanstvo
etnički pokreti
film filozofski/ teorijski pokreti
književnost i književna kritika kritička nauka
likovna umetnost
manjinski pokreti medijska umetnost
mirovni pokreti muzika nacionalni pokreti narodna kultura
naučna kritika
nezavisno novinarstvo
pokret za ljudska prava
popularna kultura
preživjeli progona pod autoritarnim / totalitarnim režimima
prigovarači savesti
religiozni aktivizam
samizdat and tamizdat stranački disidenti
studentski pokret
theatre and Performing Arts underground culture
visual arts
women’s movement
youth culture zaštita prirode
artefakti
drugi drugi umetnički radovi
film
fotografije
grafika memorabilija
muzički snimci
nacrt i karikature
nameštaj
odeća
oprema
pravna i/ili financijska dokumentacjia predmeti primenjene umetnosti
publikacije rukopisi siva literatura
skulpture
slike
snimanje glasa
video snimci
The photo archive of Goran Pavelić Pipo contains over 15,000 negatives. The photographs are mainly black and white, and on them Pavelić recorded rock concerts and everyday life around the popular Zagreb cafés Zvečka, Blato and Kavkaz in the period from the late 1970s to the late 1980s, also known as the new wave era. His photographs were conceptually and aesthetically opposed to the photographs in the then official press, such as Večernji list, Vjesnik or Borba, and thus represented a kind of cultural opposition. The Pavelić Photo Archive is extremely important to an understanding the phenomenon of the new wave and the contemporary urban scene in socialist Zagreb.
The private collection of historian Gábor Klaniczay (1950-) includes written, visual, and audio sources from the 1970s and 1980s. These sources all concern the alternative, underground cultural trends, art, music performances, and political oppositional movements of the period. The almost entire series of the samizdat publications from Hungary also constitute an important part of the collection, as do the leaflets and posters from his trips to Paris and New York.