alternativni način života i otpor svakodnevnih, alternativni oblici obrazovanja
avantgarda, neoavantgarda
cenzura
demokratska opozicija društveni pokreti državni nadzor
emigracija/ izgnanstvo
etnički pokreti
film filozofski/ teorijski pokreti
književnost i književna kritika kritička nauka
likovna umetnost
manjinski pokreti medijska umetnost
mirovni pokreti muzika nacionalni pokreti narodna kultura
naučna kritika
nezavisno novinarstvo
pokret za ljudska prava
popularna kultura
preživjeli progona pod autoritarnim / totalitarnim režimima
prigovarači savesti
religiozni aktivizam
samizdat and tamizdat stranački disidenti
studentski pokret
theatre and Performing Arts underground culture
visual arts
women’s movement
youth culture zaštita prirode
artefakti
drugi drugi umetnički radovi
film
fotografije
grafika memorabilija
muzički snimci
nacrt i karikature
nameštaj
odeća
oprema
pravna i/ili financijska dokumentacjia predmeti primenjene umetnosti
publikacije rukopisi siva literatura
skulpture
slike
snimanje glasa
video snimci
The Velid Đekić collection covers beginning of rock and disco culture not only in Rijeka but also in the former Yugoslavia. While working on the books 91 decibels (2009) and Red! River! Rock! (2013), Đekić collected materials on many of Rijeka's bands that have existed from the late 1950s until the early 1980s, and on the places where young people gathered. That is why this collection testifies to the unique history of rock 'n' roll behind the Iron Curtain.
Veljo Tormis (1930–2017) was one of the most important Estonian composers in the second half of the 20th century. His most active period of creation was during Soviet times. After 1960, the original manuscripts of his works were given to the Estonian Theatre and Music Museum after they were finished and approved. These manuscripts, and others donated after the restoration of independence, today form a large collection of manuscripts of hundreds of different works. They give us an insight into the work and legacy of Tormis, including his struggle with Soviet censorship and the absurd working conditions for creative people.