alternativni način života i otpor svakodnevnih, alternativni oblici obrazovanja
avantgarda, neoavantgarda
cenzura
demokratska opozicija društveni pokreti državni nadzor
emigracija/ izgnanstvo
etnički pokreti
film filozofski/ teorijski pokreti
književnost i književna kritika kritička nauka
likovna umetnost
manjinski pokreti medijska umetnost
mirovni pokreti muzika nacionalni pokreti narodna kultura
naučna kritika
nezavisno novinarstvo
pokret za ljudska prava
popularna kultura
preživjeli progona pod autoritarnim / totalitarnim režimima
prigovarači savesti
religiozni aktivizam
samizdat and tamizdat stranački disidenti
studentski pokret
theatre and Performing Arts underground culture
visual arts
women’s movement
youth culture zaštita prirode
artefakti
drugi drugi umetnički radovi
film
fotografije
grafika memorabilija
muzički snimci
nacrt i karikature
nameštaj
odeća
oprema
pravna i/ili financijska dokumentacjia predmeti primenjene umetnosti
publikacije rukopisi siva literatura
skulpture
slike
snimanje glasa
video snimci
The CNSAS Online Collection (CNSAS – Romanian acronym for the National Council for the Study of the Securitate Archives) illustrates how the communist secret police, the Securitate, conceptualised: (1) oppositional groups and individuals in communist Romania; (2) the forms in which this opposition manifested against the party-state; and (3) the transnational support it received from the exile community and foreign organisations. It also encompasses an impressive amount of invaluable information about the inner mechanisms of the Securitate, its institutional development and relationship with the Communist Party, the use of repression against any form of opposition, and the use of surveillance to avoid the development of oppositional groups and networks during its over forty years of functioning. In brief, this collection offers a comprehensive image of the means and methods used by the communist secret police, the Securitate, to deal with the anti-communist opposition between 1948 and 1989, and the response it received from oppositional groups and individuals.
The Mirel Leventer private collection of photographs and films is the richest archive of images from the period of glory of Club A, 1969–1989, when it operated as a (semi-) clandestine and exclusive club, founded and administered by students of the Institute of Architecture in Bucharest (today the Ion Mincu University of Architecture and Urbanism). Club A was an oasis of freedom created in a basement in the middle of the historic area of the capital of communist Romania for the purpose of being able to organise shows, debates, and concerts that would be an alternative to the officially promoted culture, and to offer young people a place where they could behave as if they were free. In short, the Mirel Leventer private collection preserves the memory of an essential place for the alternative culture of young people in the last two decades of Romanian communism.
The Commission for Ideological and Political Work of the People's Youth of Croatia (1945-1962) was crucial in the development of young people regarding their guidance and education based on socialist values. The Commission worked under the aegis of the Communist Party, and its primary task was to monitor all activities that were opposed to the regime. Therefore, the numerous documents in this collection encompassing the period from 1945 to 1962 show different oppositional aspirations and activities of young people in Croatia in the immediate post-war period up to the beginning of the 1960s.
The Cornel Chiriac Ad-hoc Collection at CNSAS comprises documents created or collected by the Romanian secret police, the Securitate, about Cornel Chiriac, a non-conformist Romanian journalist and jazz drummer, together with letters written by his fans, which were intercepted by the Securitate and never reached him. Cornel Chiriac was one of the most beloved radio and record producers at Radio Romania and then at Radio Free Europe and became an idol of the younger generation in the late 1960s and the 1970s.