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Mladen Lompar bio je crnogorski pesnik, esejista i likovni kritičar. Diplomirao je na istoriji umetnosti u Beogradu. Od 1984. do 1995. bio je direktor Umetničkog muzeja Crne Gore na Cetinju. Smenjen je sa te pozicije jer nije dozvolio da se ukradene slike sa hrvatskog ratišta unesu u muzej.

Lompar je bio komesar II i III Cetinjskog bijenala i potpredsednik Dukljanske akademije nauka i umetnosti, paralelne naučne akademije u Crnoj Gori, koju su 1998. godine osnovali akademici koji su smatrali da je zvanična Crnogorska akademija nauka i umetnosti pretežno pod uticajem srpskog nacionalizma. Lompar je bio jedan od osnivača Crnogorskog društva nezavisnih književnika i predsednik Crnogorskog P.E.N. Centra.

Poezija Mladena Lompara je prevedena na mnoge jezike i predstavljena u nekoliko antologija savremene crnogorske i regionalne poezije.

Lompar je bio jedan od osnivača izdavačke kuće „Književna opština Cetinje” i pokretač i glavni urednik „ARS-a – Časopisa za kulturu, umjetnost i nauku” u prvoj i kasnije novoj seriji.

Zbog svojih liberalnih političkih stavova, zagovaranja nacionalnih i građanskih prava i promovisanja avangardne estetike, što je sve uznemiravalo lokalni komunistički režim i mentalitet malog grada Cetinja, Lompar je bio označen zajedno sa svojim kolegama – Miloradom Popovićem i Slavkom Perovićem – kao „politički nepodoban” tokom 1980-ih i 1990-ih godina.  Lompar je u velikoj meri doprineo stvaranju jezgra pokreta otpora, koji će kasnije generisati političku partiju Liberalni savez Crne Gore (LSCG), anti-ratne medije i alternativne kulturne organizacije.

Robert LaVigne was an American painter, illustrator and designer. He was associated with the Beat Generation in the 1950s and 1960s. He was also the painter of the portrait of Allen Ginsberg. According to Ginsberg, LaVigne had helped give birth to the Beat Generation, because his roomy art house in San Francisco was the place for gathering wild and unclothed “bohemians.” Like Ginsberg, LaVigne focused on decay and death in his work. According to LaVigne, these themes reflected the angst of the young generation in the Atomic Age, which “gave the lie to permanence.”

Karl Laantee was an émigré Estonian political activist, theologian and announcer with Western propaganda radio during the 1980s. He went to the West during the Second World War, where he studied theology and politology at several universities. He worked as a Lutheran pastor in Argentina, Peru, Brazil and Uruguay. Laantee was active in Estonian communities abroad. He took an active part in major Estonian events, like Worldwide Estonian Days, or celebrating Independence Day of the Republic of Estonia. He was also active in Estonian émigré politics. For example, he was vice-chairman of the Baltic Appeal to the United Nations in 1966. During the 1980s, he became known in Estonia as an announcer with the Voice of America. The radio station provided the people of Soviet Estonia with an alternative source of information. He returned to Estonia after the collapse of the Soviet Union, and taught at the University of Tartu.

Mart Laar (b. 1960) is an Estonian historian and politician. He was prime minister of Estonia in 1992–1994 and 1999–2002. As a historian, he has written a large number of books about Estonian history (some have also been published in English, Russian, German and Finnish), and several textbooks. 
He studied history at the Tartu State University in the early 1980s, and was an initiator and active member of the Noor-Tartu (Young-Tartu) student movement. He had the initial idea for a movement to arrange the city space. He got it from Tallinn, where a similar movement of school students was active.