COURAGE

povezivanje zbirki

Adriana Zaharijević studirala je Političke nauke na univerzitetu u Beogradu. Zaharijević je istraživačica-saradnica na Fakultetu poltičkih nauka i isto je zastupnica Centra za ženske studije.
U Institutu za filozofiju i društvenu teoriju zaposlena je od 2013. godine, a od 2016. radi i kao docentkinja na Univerzitetu u Novom Sadu.
Pored toga je članica Udruženja književnih prevodilaca Srbije. Od 2004-2011 godine je radila kao urednica III programa Radio Beograda. Njene oblasti interesovanja su politčka filozofija, savremena feministična teorija i istorija XIX veka. Objavila je dve monografije i preko šezdeset radova, koje je predstavljala u zemlji i svetu. Njena sadašnja teorijska interesovanja usredsređena su na polje kritičkog angažmana.
Pod ključnim publikacijama su Neko je rekao feminzam? (ur., Beograd, 2007, 2008); Postajanje ženom (Beograd, 2010); „Radikalni feminzam“, u Uvod u rodne teorije (Novi Sad, 2011).

Zaborskaitė (1922-2010) was a literary critic and historian. After she was dismissed from the Department of Lithuanian Literature at Vilnius University in 1961, she worked at the Institute of History. She became an active member of the Sąjūdis movement. She was also a member of the group of scholars who prepared educational reform for the Republic of Lithuania. She is the author of a biography of the famous Lithuanian poet Maironis (1862-1932).

The life, work and activities of Professor Vanda Zaborskaitė are relevant to the theme of cultural opposition for at least three reasons. First of all, in the 1950s and early 1960s, she was a member of the Department of Lithuanian Literature at Vilnius University. At that time, the department came under strong ideological criticism from the government. Zaborskaitė belonged to the so-called group of 'witches' that were forced to leave their positions as lecturers. Secondly, Zaborskaitė's research interests included the life and poetry of the Lithuanian poet Jonas Mačiulis-Maironis. While Maironis was not banned as an author in Soviet Lithuania, the estimation of his personality was complicated. Thirdly, Zaborskaitė was religious since her early childhood. She kept in touch with a number of Catholic priests, keeping up a correspondence with them. 

Jan Zahradníček was a Czech poet, writer, translator, critic, and journalist. He is known for his Catholic and anti-communist poetry. His first poems appeared in 1924 in Studentský časopis. Zahradníček subsequently contributed to many other journals and newspapers (e.g. Tvar, Listy pro umění a kritiku, Archa, Host, Literární noviny, Kvart, Lidové noviny). His first collection of poems, entitled Pokušení smrti (The Temptation of Death), was published in 1930. In 1929 and 1930 Zahradníček passed librarian exams. He edited the literary review Akord (1940–1948) and worked as an editor at Brněnské tiskárny publishing house (1945–1949). After the Communist coup of February 1948, Zahradníček was expelled from the Union of Czechoslovak Writers because of his Catholic and anti-communist attitudes. In June 1951, he was accused of espionage and subversions against the Communist regime and arrested. A year later, he was sentenced to 13 years in prison. During his imprisonment, he continued writing poetry. Poems from this period were published later, after Zahradníčekʼs death, in the collections Čtyři léta (Four years, 1969) and Dům Strach (House of Fear, 1981). These poems reflected not only his difficult life in prison, but also family tragedy – his two daughters died in 1956 from mushroom poisoning. Apart from these two collections, Zahradníčekʼs reflection of the Communist regime can be found in the poetry collections La Saletta (1947) and Znamení moci (Sign of Power, 1951). However, Znamení moci could not be published until 1990. Zahradníček was granted amnesty and released in 1960, although, due to his poor health, he died soon after his release. Before 1989, Communist authorities tried to remove Zahradníčekʼs name from the official history of Czech literature. Thus, before 1989, his work could only be published – with some exceptions during the late 1960s – as samizdat or in exile.